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edward.maurath
HWV7A2N4b - "Il Tricerbero humiliato"
edward.maurath
3:16 Est. Play
Time
59 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 25 39 6 9 97%
Bass 26 21 6 9 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 25 39 6 9 97%
Bass 26 21 6 9 100%
Contrabasses Bass 21 0 5 9 100%
Violins
1		 Treble 21 0 4 9 100%
Violins
2		 Treble 19 0 4 9 100%
Violoncello Bass 21 0 5 9 100%
Violoncellos Bass 21 0 5 9 100%
Rinaldo 17 0 4 8 79%
Viola 10 0 1 6 25%
 
HWV7A3N3b - "Andante, o forti" in G Major
edward.maurath
0:40 Est. Play
Time
39 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 16 24 10 7 100%
Bass 21 23 10 7 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 16 24 10 7 100%
Bass 21 23 10 7 100%
Basso Continuo Bass 17 0 6 7 100%
Violoncello Bass 17 0 6 7 100%
Contrabass Bass 16 0 6 7 97%
Violins Treble 19 0 6 7 97%
Mago
as bass		 Bass 12 0 3 7 75%
Viola 7 0 3 5 15%
 
HWV56N48 - The Trumpet shall sound
edward.maurath
6:43 Est. Play
Time
215 Measures
1,825Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Continuo Bass 21 0 5 7 99%
Harpsichord Treble 19 81 5 7 92%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Continuo Bass 21 0 5 7 99%
Harpsichord Treble 19 81 5 7 92%
Bass 24 43 7 7 90%
Bass Voice Bass 16 0 4 8 70%
Trumpet Treble 9 0 1 7 64%
Viola 14 0 1 6 52%
Violin
1		 Treble 14 0 1 6 52%
Violin
2		 Treble 11 0 1 6 52%
Violoncello Continuo Bass 16 0 1 6 52%
Violone Continuo Bass 15 0 1 6 52%
 
HWV8A1N7 - "Lontan del mio tesoro" in C Major
edward.maurath
5:20 Est. Play
Time
51 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 19 40 3 8 70%
Bass 23 24 4 5 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 19 40 3 8 70%
Bass 23 24 4 5 100%
Violoncello Bass 20 0 3 5 100%
Mirtillo 17 0 6 6 76%
Contrabasses Bass 8 0 0 5 10%
Viola 9 0 0 4 10%
Violins
1		 Treble 9 0 0 5 10%
Violins
2		 Treble 10 0 0 4 10%
Violoncellos Bass 8 0 0 5 10%
 
HWV19A3N22 - Rodelinda, "Mio caro bene!"
edward.maurath
5:29 Est. Play
Time
58 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 21 86 6 9 100%
Bass 22 37 5 6 99%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 21 86 6 9 100%
Bass 22 37 5 6 99%
Violoncello Continuo Bass 17 2 1 3 86%
Violins Treble 15 0 2 8 73%
Rodelinda Treble 13 0 3 5 68%
Contrabasses Bass 14 0 0 3 60%
Violincello Continuo Bass 14 0 0 3 60%
Violas 13 0 2 5 55%
Bassoon Continuo Bass 14 0 0 3 15%
Oboe Treble 10 0 0 6 14%
 
HWV19A1N11 - Bertarido, "Dove sei? Amato bene!"
edward.maurath
3:55 Est. Play
Time
56 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 23 74 5 7 100%
Bass 17 19 2 4 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 23 74 5 7 100%
Bass 17 19 2 4 100%
Violoncello Continuo Bass 16 0 2 4 100%
Bertarido Treble 13 0 2 6 76%
Vln
1		 Treble 14 0 0 7 57%
Contrabass Continuo Bass 11 0 0 4 53%
Viola 10 0 0 4 47%
Vln
2		 Treble 11 0 0 5 47%
 
HWV7A2N10 - "Lascia ch'io pianga" in F Major (Almirena)
edward.maurath
1:54 Est. Play
Time
42 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 44 5 4 100%
Bass 16 0 2 5 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 44 5 4 100%
Bass 16 0 2 5 100%
Cello Bass 15 0 2 5 100%
Almirena 12 0 3 6 81%
Bass Bass 10 0 0 5 71%
Viola 10 0 1 5 71%
Violin
I		 Treble 10 0 1 5 71%
Violin
II		 Treble 9 0 1 5 71%
Violoncellos Bass 10 0 0 5 71%
 
HWV8A1N9b - Tenor Aria for Sivio "Di goder il bel ch'adoro"
edward.maurath
1:48 Est. Play
Time
39 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 24 20 4 5 100%
Bass 16 7 2 6 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 24 20 4 5 100%
Bass 16 7 2 6 100%
Violin
1		 Treble 10 0 1 6 92%
Violin
2		 Treble 15 0 1 7 92%
Violoncello Bass 15 0 2 5 79%
Silvio 11 0 2 6 77%
Contrabasses Bass 14 0 2 4 69%
Violoncellos Bass 14 0 2 4 69%
 
WQ40 - iphignie en aulide (Gluck)
edward.maurath
8:14:19 Est. Play
Time
4517 Measures
57,351Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 37 609 29 13 97%
Bass 58 373 40 11 96%
View all 26 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 37 609 29 13 97%
Bass 58 373 40 11 96%
Iphigénie Treble 21 0 15 11 18%
Achille Treble 19 0 11 9 18%
Soprano Treble 20 0 7 9 16%
Alto Treble 19 0 6 9 15%
Clytemnestre Treble 20 0 13 8 15%
Ténor Treble 11 0 4 4 0%
Treble 6 0 0 4 0%
Treble 18 0 10 9 15%
Basse Bass 13 0 3 4 0%
Bass 19 0 9 9 15%
Bass 15 0 2 7 1%
Agamemnon Bass 20 0 12 8 13%
Calchas Bass 20 2 10 8 2%
Patrocle Bass 14 0 4 6 1%
1ʳᵉ
Grecque		 Treble 16 0 4 6 1%
Arcas Bass 11 0 4 5 1%
Diane Treble 16 0 6 7 1%
Grec Treble 8 0 1 5 0%
Ténor
1		 Treble 8 0 1 6 0%
Ténor
2		 Treble 9 0 1 6 0%
2ᵉ
Grecque		 Treble 11 0 1 5 0%
3ᵉ
Grecque		 Treble 10 0 2 5 0%
Femme
de
la
suite
d’Iphigénie		 Treble 10 0 0 5 0%
Esclave
Lesbienne		 Treble 7 0 0 3 0%